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Tuesday, May 10, 2011

Shotgun Wedding



When I got word that Jock Reynolds, director of the Yale University Art Museum, decided to purchase and display two of my beach plastic necklaces together and call the combo “shotgun wedding” I laughed out loud. 

Why hadn't I thought of that?

Needless to day, I am thrilled to have my work in Yale’s growing collection of contemporary jewelry that features acquisitions that deal with issues relating to the environment and recycling/reusing.

From my email to Yale University:
My husband, Richard Lang and I collected each piece of plastic used in the creation of my jewelry as part of our project One Beach Plastic, now in it’s twelfth year.  All of the plastic was collected from a 1,000 yard stretch of Kehoe Beach in the Point Reyes National Seashore. Collected one piece at a time. The brightly colored bits are "curated" from the wrack line of debris washing up on to the beach.  In the studio they are cleaned then sorted into color and kind and become my "inventory." Sometimes an unusual shape will spark a design reverie. Sometimes the rich surface, the sea-buffeted patina will incite the creative process. Sometimes the recognizable part of a something (a piece of a comb or a juice lid) will evoke the question - could that have once been mine?

It’s important to me to keep the things I use close to what they look like on the beach. To have the impact I’m looking for, I want them to not reference anything else but themselves.

I am thrilled that you have selected my Sabot necklace for purchase.

The name Sabot  (rhymes with ago) stems from a confusion on our part. A true sabot is a casing to enclose a bullet. These are used to enable a smaller caliber projectile to be fired through a larger caliber rifle. They look very similar to the plastic florets we find on the beach, but the sabot have much thicker walls. I think the problem stemmed from the fact that I like the name Sabot, and I like the etymology of the word. Sabot comes from the wooden peasant shoes and clogs worn throughout Europe. In times of revolutionary fervor, sabots were used as weaponry. Hence the word sabotage and like a foot fitting into a shoe, the projectile fits into its casing.

What we have been finding are wads. Wads are used to encase shot inside a shotgun shell and are one of the most pernicious pieces of plastic that Richard and I find on the beach. We have thousands of them in our collection. The walls are much thinner, protecting the pellets from the charge restricting the shot pattern to a more coherent pattern. They shoot out of the gun and remain in the landscape long after the ducks and the hunters are gone. They float their way down rivers, from the wetlands to the sea. We have never been to the beach when we don’t find these in great numbers. Historically they were made of compressed paper, but with the advent of cheap polypropylene, they are now made of exclusively of plastic.

Since “wad” isn’t a very lyrical title, and not something you would want to wear around your neck, the new working title for the piece is Duck!

I am happy to have been on this hunt—I now know more about weaponry, gunpowder and the history of revolution—your interest has sent me on an unexpected etymological journey. Accuracy is a hallmark for the work we do.

Another email to Yale University:
Here is the photo of my tampon applicator necklace. Each of my necklaces is a unique creation made from plastic that washes up onto Kehoe Beach. The applicators have been sanitized by days at sea. Because so many of the applicators are now washing up on beaches everywhere- to avoid the embarrassment of speaking their true name, beachcombers now call them “Sea Whistles.”

Back in my day, tampons were made from cotton batting with a compressed cardboard applicator. Since I am years past my last use of a tampon, I decided to search the Internet to learn more about the technical improvements and the features that make the tampon with the plastic applicator so popular. http://www.tampax.com/en-US/Products/Products.aspx

From Jock:
Yes, do purchase this necklace for YUAG, display it along with her other one, and please use Judith’s wonderfully descriptive and humorous language when you create the text labels for showing our new “his and hers” Beachcomber jewelry – the two necklaces now form a  true “shotgun marriage” of flotsam and jetsam.




My gratitude to Jock for the idea of displaying the necklaces together and for his good humor. I love the "his and hers" and the "shotgun wedding." Hilarious...I wish I had thought of it!!!

Wednesday, March 30, 2011

Sunday, November 7, 2010

Display at Donna Seager Gallery

Donna Seager Gallery in San Rafael has a fine selection of fine jewelry including a vitrine of my beach plastic.

Saturday, October 23, 2010

Sunday, August 15, 2010

Fashion Forever


Forever Fashion

Join us for an exciting trunk show of fashion and jewelry.
Judith Selby Lang and Joui Turandot
Eco Fashion in Clothing and Beach Plastic Jewelry

Saturday, September 11
3 to 5 pm


Judith Selby Lang has distinguished herself as an artist interested in the environment. By giving aesthetic form to what is considered to be garbage, she serves as both cleaner and curator. While the content of her work has a message about the spoiling of the natural world by the industrial world, her intent is to transform the perils of pollution into something beautiful and celebratory.

Joui Turandot is an emerging leader in the field of eco-fashion. She creates evening gowns and ready-to-wear pieces from over 90% reclaimed material. Joui sources most of her fabrics from antique stores, grandmother's closets and artist's leftovers. With each piece, Vagadu boldly affirms that high fashion can be achieved using sustainable practices, a statement as daring and unique as the woman who wears it.




Friday, February 19, 2010

High style- Low impact



I am thrilled to announce my association with eco-fashion designer Joui
Turandout. My beach plastic jewelry is the perfect accessory for her
high style low-environmental impact garments. Joui uses reclaimed,
reused fabrics exclusively in her unique designs. All of the plastic
used in my jewelry is detritus collected from Kehoe Beach in the Point
Reyes National Seashore. Joui and I recently partnered for this photo
shoot by Darren Hendrix.

High res images are available

Joui Turandot
Designer
www.vagadu.net
www.vagadu.blogspot.com

Darren Hendrix
Photographer
www.darrenhendrix.com

Judith Selby Lang
Artist
www.beachplasticjewelry.blogspot.com
www.beachplastic.com
www.plasticforever.blogspot.com




Thursday, February 19, 2009

Milk Pull Tabs



When I was a child, milk came in clear glass bottles delivered early morning on our doorstep. Later, at the store, we purchased the boxy wax carton that served well. Now, in the name of sanitation and convenience, milk cartons have been “improved” with plastic safety milk pull-tabs. Now, thousands of these ubiquitous tabs are making their way to the landfill and will take thousand of years to go away.


My dad, knowing about my interest in plastic, for months saved pull tabs from his milk cartons and presented me with a large bag of them.

Handling materials can lead to exciting and unexpected discoveries.Touch is a special kind of teacher. Just fiddling around with the pull tabs, I found that it was easy to loop them one inside the other to make a bracelet to fit any size. It could be squished together or expanded to enlarge.



As one turns attention to anything, suddenly it is everywhere. You buy a red car and suddenly there are red cars everywhere. And so it was with the pull-tabs. They started to appear on juice containers, oil containers, soy and almond milk containers. And they were in a variety of colors, some were domed, some were flat, some were embossed, some were faceted.




And, yes, they started to appear on the beach.



People always take note of my unique jewelry, which gives me the opportunity to talk about plastic and to encourage action about everything, even about milk cartons.



During a recent trip to Tanzania, I visited a Masai village. An elder woman, entranced by my bright white bracelet, came over for a closer inspection. She touched the round discs trying to figure out the source and the material of my unusual adornment. I asked our guide to explain that I had made the bracelet out of milk pull-tabs; that they were something that would otherwise be thrown away; that I am an artist who uses recycled plastic in my creations. I was babbling so fast that probably neither she nor my translator understood a word of what I was saying. And, since the Masai subsist on milk and blood, I am sure that she had no idea about milk cartons or pull-tabs. I was thrilled that she was interested and was happy that she accepted my bracelet as a gift.

The elegant high-style of the simple interlocking of the tabs makes a fashion statement for everyday wear. For a fancier look, the tabs can be easily be embellished with indelible marking pens and with sequins.


Although I am pleased that I have found a good use for the pull-tabs I would rather that they not be used at all. Letters written to milk producers have not resulted in a return to the old-fashioned waxy cartons without the plastic lids. Fortunately, in my supermarket there is still a brand that has not adopted the plastic "improvement."